Our newly published book is called Six Doors to the Seventh Dimension. It explores spirituality through the metaphor of a house offering a guided tour complete with poetic responses and artistic interpretations.
Upcoming events
Listen for us on the David Lile Radio Show on KFRU this Thursday, Aug. 21 at 8:30 a.m.
Become a Six Doors housemate at our official book launch party Friday, Sept. 5 at 6 p.m. in the Columbia Art League. Visit with us while enjoying wine and cheese. We will autograph copies and read excerpts. Our event is free and open to the public. See you there!
About the authors
You already know me, so I would like to say a bit about my friends. I recently asked them six questions about Six Doors.
Tim

Tim Carson is the narrator of the book. He is a bold person with a strong voice in his speaking, singing and written word. With a wonder and curiosity, he explores big ideas. He initiates change in people: how they think and feel and act. He makes new things happen, like this book as an example! One of the best huggers I have ever known, he does people good with his expressiveness and warm heart. He is willing to stand in the mystery.
Why did you decide to collaborate on this book?
I had a recent experience with collaboration through our local art league—one that paired writers with artists. The outcomes were something richer and more unexpected than any solo effort could create. So when the idea for Six Doors was hatched, I thought, why not? I am so thankful for the gift of that insight!
What was the hardest part of making this book?
The collaborative piece took more time, but I wouldn’t consider it hard. In fact, that was part of the fun. If you are willing to let go of some control, the outcome can be much better than any one person imagined.
For me, in my portion, the hardest part came as I shifted from the early part of the narrative that is pretty discursive to the final chapter that is clearly not. I had to change the voice and finding the way to do that without disrupting the flow was difficult. My fellow creators knew this was hard for me. They suffered with me in my relative confusion at that point and provided council in the ways they could.
Give us insight into what you think is different about this book.
The obvious difference that sets this book apart from so many others is the collaborative outcome itself. But there is also the schema of the house and its six doors. Using geographic referents is not new; it is found in classic literature from Dante to Chaucer to Merton. But the way that we used a physical schema—a house— to describe our anthropology and spiritual dimension beyond that does hold, I think, something new or at least fresh.
What are you working on now?
I’m working with an editor to provide a second edition manuscript to the publisher for my earlier book, The Square Root of God. Wipf & Stock should release it before the end of this calendar year.
How can we connect with you?
You could follow my blog at vitalwholeness.wordpress.com.
Any final tips for my readers on how to keep creativity flowing?
Look at the same thing from a different angle. Just because you’ve looked at the rose in the morning, it does not mean that it will appear the same in the afternoon or under the aspect of moonlight.
Set your mind and heart free from what you thought you had to create. Let your subconscious work for you, writing or creating after sleep, free-floating in the shower, piecing things together as you think of nothing beholding the river.
Jenny

Jenny McGee made the art in the book. With tender vulnerability, she dares to go beyond words into the places of deepest feelings and deepest questions. She wants to see people with clear and bright eyes. She delights in her children and encourages them to be true to themselves. Delicate and strong, she is both fine fluttering branches and deep roots anchored in the nourishing earth of her faith. Healer-artist-interpreter Jenny is the whole tree.
Why did you decide to collaborate on this book?
Collaborating on this book was a chance to grow spiritually free with two people I highly respect and also offer others a chance to heal and journey through the combination of message, artwork and poetry.
What was the hardest part of making this book?
The hardest part of making the book was facing my own judgments about the artwork. I had to work hard on silencing the critic inside of myself and trust that my visual interpretation of the message was successful. During the process I tried hard not to critique or judge the artwork so that my hand felt free and the artwork could evolve unrestricted.
Give us insight into what you think is different about this book.
This book is unique because it offers its readers three unique interpretations of the story. Everyone is invited into this house and welcome to unveil its dimensions. It is like three books in one with each part interconnected to the other.
What are you working on now?
Right now I am working on a large custom painting for a family in Kansas City. It will be a triptych that will hang in their living room and is an expression of them and their uniqueness as a family.
How can we connect with you?
Please connect with me at www.jennymcgeeart.com
Any final tips for my readers on how to keep creativity flowing?
To keep the creativity flowing I would suggest being keenly aware of the critics in your head and what they are saying to you. Once you identified them, whoever they are and what they are saying to you, it is time to kick them out of your house. One way to do so is to close your eyes and imagine what they look like. Hand them a bunch of imaginary flowers and say, “Good-bye, you are no longer welcome in my life. Take these roses and you may never come back.”